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While doing so, one realises one great lesson: due to a circular and repetitive path, one always designs the same square—with its smoothed edges, roundish sides; non-perpendicular corners.
These slightly different yet similar versions of form and shape are a grid for thought. Very often, their trace reflects a chronogram or a precise place in time – they instantly remind me of each problem and worry they refer to or were referring to: they all relate to different projects with their very own set of concerns and problems to be solved.
The core of an idea and its infinite variations introduces proper autonomy while being an ongoing something!
Construction, design, deviation, an open possibility. No judgments.
The pretty and the ugly.
The raw and the subtle.
Some are red and yellow.
Some are red and blue.
Some have graphite digging on paper like water lines.
Some are A1 plus.
They are the pit for spaces to be shaped.
The shape of punk to come. [1]
1. Refused, The Shape of Punk to Come, 1998. Burning Heart Records.